Relational Aesthetics Explained:

Through the power of YouTube:

Today, we are in the further stage of spectacular development: the individual has shifted form a passive and purely repetitive status to the minimum activity dictated by market forces. So television consumption is shrinking in favor of video games; thus the spectacular hierarchy encourages “empty monads,” i.e. programless models and politicians; thus everyone sees themselves summoned  to be famous for fifteen minutes, using a TV game, street poll, or news item as go-between [….] So, after the consumer society, we can see the dawning of the society of extras where the individual develops as a part-time stand-in for freedom, signer and sealer of the public place. (Bourriaud, Relational Aesthetics, 113)

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